One of the first westerns, this film was an interesting movie to realize, by realize I mean for the creator not for me. It is a cornerstone of what we can consider a modern narrative (story) in film today. Made by Edwin Porter in 1903 The Great Train Robbery was a ground breaking film that maybe didnt introduce but definately did enhance some advanced techniques. Including the “double exposure” which can be seen in the first scene as the train pulls into the station in the background.
Double Exposure is the idea that the film can be exposed any number of times before developing as long as there is an image to be seen on the film, so in this case they probably filmed the train going by first, and then re-exposed the film a second time to get the “stick up” happening in “front” of the previously exposed shot, dont ask me how they got it confined to just that 1 window, cause I dont know.
Another, not necissarely ground breaking for our day and age other than the idea that they could incorperate color, is the fact that they had some color in the film, the gunshots would mostly fire an orange tone or a red tone. they had Women in “pretty” dresses that were yellow or purple.
I found it interesting that we would find ourselves forced to watch all or most of this train robbery from 1 stationary shot. Granted there were a plethera of shots and it wasnt one big long shot, but instead whenever we had a new scene it would simply take place in one big take. This could easily distract the common american audiance who is used to seeing 200 cuts in the first 20 minutes of a movie. But in a different and more subjective format it makes us step back and see just what early film makers had to do. Now-a-days at least in my own film making I find it difficult to make mistakes, I want to be George Lucas so bad that maybe I forget that he and many others before him including Edwin Porter failed before they succeeded.
Aside from that little trip down filmstudent lane, the film itself had one more visally appealing aspect. The final scene of the film is one of the bandits in close up and he shoots his gun right at you. One of my peers suggested that this might even be the first 3D film. In the case that this guy is in your face and he shoots you, and no matter where your perspective is in the room/theater it looks like he is looking at you and is trying to kill you. And you know he will, he just killed a wuss who tried to run away from the robbery as it occured.
I would suggest that as little as he had for the era he was in it was a very skillful movie.
Thumbs up Edwin!

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